MUSIC MISC

Dr John - Gris Gris

2008-03-07T10:13:00.002+02:00

Born in New Orleans, Louisiana, his musical career began as a session musician in New Orleans in the 1950s. Early in his career he also played guitar and was often known as Mac Rebennack. He switched to the bass, and then the piano after his left ring finger was injured by a gunshot, while he was protecting his bandmate, Jesuit High School classmate, and longtime friend Ronnie Barron.

Professor Longhair was an important influence on Rebennack. Rebennack gained fame beginning in the late 1960s and early 1970s, with music that combined New Orleans-style rhythm and blues with psychedelic rock and stage shows that bordered on voodoo religious ceremonies, including elaborate costumes and headdress. For a time he was billed as Doctor John, The Night Tripper. The name "Dr. John" came from a legendary Louisiana voodoo practitioner from the start of the 19th century.

He is perhaps best known for his 1973 hit song, "Right Place, Wrong Time", which reached #9 on the Billboard Hot 100. He was also a prominent session musician at this time, playing piano, for example, with The Rolling Stones on the popular 1972 song Let It Loose, as well as on the popular Carly Simon and James Taylor duet of "Mockingbird" in 1974. He also contributed the song "More and More" to Simon's Playing Possum album. He was co-producer on Van Morrison's 1978 album A Period of Transition and also played keyboards and guitar. He has played and recorded with Willy DeVille. His music has been featured in many films including "Such a Night" in "Colors" in 1988.

Dr. John has also done vocals for Popeyes Chicken & Biscuits' "Luv dat chicken..." jingle, as well as the theme song ("My Opinionation") for the early-1990s television sitcom Blossom. A version of "Do You Know What It Means To Miss New Orleans" with Harry Connick, Jr. was released on Connick's album 20 and VHS Singin' & Swingin' in 1990.

Dr. John - Gris Gris

http://rapidshare.com/files/97461516/Dr_John-Gris_-Gris.rar

Devdndra Banhart - Cripple Crow

2008-03-06T13:32:00.002+02:00

Devendra Banhart (born May 30, 1981, in Houston, Texas, U.S.) is a folk rock singer-songwriter and musician. Banhart's music has been classified as indie folk, psych folk, Naturalismo, and New Weird America; his lyrics are often surreal and naturalistic.

Banhart was raised in Venezuela. He gained popularity while living in San Francisco after attending the San Francisco Art Institute and further gained popularity when he subsequently moved to New York City to record under Young God Records, based in New York City. Banhart currently lives in Los Angeles.

Cripple Crow was released on XL Recordings on September 13, 2005. It is the sixth album by psych folk acoustic rocker Devendra Banhart and his first for the label XL Recordings.

http://rapidshare.com/files/97294459/Devendra_Banhart_-_Cripple_Crow.rar

Dusty Springfield- Dusty in Memphis

2008-03-03T12:19:00.002+02:00

Born Mary Isabel Catherine Bernadette O’Brien, she took the professional name Dusty Springfield after joining her brother’s band, the Springfields. A folk-oriented trio, they were Britain’s top-selling group in 1961 and enjoyed an American hit in 1962 ("Silver Threads and Golden Needles") 15 months before ’ “I Want to Hold Your Hand” ignited the British Invasion. Drawn to rhythm & blues, Dusty left the Springfields in 1963 to launch a solo career. What she achieved was nothing less than a reinvention of British soul music. Her approach had little to do with guitar-driven rock and roll. She gravitated toward Motown’s orchestrated pop-soul, albeit filtered through the cool, poised vocal approach that reflected her British background. Smitten by the soulful sounds coming out of Detroit, Springfield actually introduced the British public to Motown’s caravan of stars as the host of a 1965 TV special.

Springfield immediately connected as a solo artist with “I Only Want to Be With You” (1964), which made her the second British act after to score a stateside pop hit. She became known as a British interpreter of American songwriters like Randy Newman, Jerry Ragavoy, , and Burt Bacharach and Hal David. Several of her most memorable hits, including “Wishin’ and Hopin’” and “The Look of Love,” were written by the latter duo. Her biggest U.S. hit came in 1966 with the heavily orchestrated “You Don’t Have to Say You Love Me,” an Italian song rewritten with English lyrics.

Springfield switched American labels from Phillips to Atlantic in 1968. The move yielded the masterful Dusty in Memphis, which played more to her R&B leanings than any previous album. The Atlantic Records production team of , Arif Mardin and Tom Dowd matched the British vocalist with some of the South’s finest session musicians. Springfield tackled a wide range of material by some of her favorite songwriters, including four songs by . The album included such soulful tracks as “Son of a Preacher Man,” which returned Springfield to the Top Ten, and “Breakfast in Bed.” While the album only reached #99, it has grown in stature over the years and was reissued in a deluxe, expanded edition by Rhino in 1999.

In another adventurous move, Atlantic paired Springfield with the rising Philly-soul production-songwriting team of Kenny Gamble and Leon Huff on 1970’s A Brand New Me. Thereafter, the Seventies were generally quiet years for Springfield, who moved from London to Los Angeles and recorded only sporadically. Springfield made a comeback came in 1987 when Britain’s Pet Shop Boys enlisted her to sing on “What Have I Done to Deserve This,” a dance-floor favorite that reached #2 in the U.S. They also produced her 1990 album, Reputation. “Son of a Preacher Man” saw a revival of popularity with its inclusion on the Pulp Fiction soundtrack. Springfield’s last studio album, A Very Fine Love (1995), returned her to the folk and country genres where she’d begun 35 years earlier with the Springfields. A career-spanning three-CD retrospective, The Dusty Springfield Anthology, was released in 1997.

Springfield died of breast cancer-with which she’d first been diagnosed in 1994-on March 2, 1999, six weeks before her 60th birthday.

Dusty Springfield - Dusty in Memphis (1969)

http://rapidshare.com/files/96674880/Dusty_Springfield_-_Dusty_In_Memphis.rar

Spirit - Twelve Dreams of Dr. Sardonicus

2008-02-29T10:03:00.001+02:00

Twelve Dreams of Dr. Sardonicus was a largely successful, and decently grossing, album released by the psychedelic rock ensemble Spirit. Produced by David Briggs, who is best known for his work with Neil Young, its 1970 publication, undertaken by record label Epic, came shortly before the original group disbanded.

This loosely-based, sci-fi concept album is a diverse yet cohesive effort, and long considered by fans, critics and musicians alike to be one of the finest albums ever recorded.^{[citation needed]} The album's second song is the keynote track "Nature's Way", the most notable hit (along with "I've Got a Line on You") the band would ever produce. "Mr. Skin" also became a hit single in the U.S., three years after the album's release. The album also includes several other lesser-known tunes which are considered to have had an impact on the genre of experimental rock in the United States.

The album evidently had an influence on other groups -- the track "Morning Will Come" presaged the emerging glam rock trend and sounds strikingly similar to the music of Marc Bolan and T. Rex. The piano figure that opens the instrumental track "Space Child" so closely resembles the piano intro of the 1978 Steely Dan hit "FM" that it is almost certain that Steely Dan was making a musical reference to Spirit. A modern nod to Spirit was given by Sam Beam of lo-fi indie band Iron and Wine. The breakdown in "Wolves(Song of the Shepherd's Dog)" matches that in "Prelude-Nothing to Hide".

Just as in previous attempts, Spirit fused aspects of jazz and folk together with their traditional rock stylings, but unlike them, they introduced added elements of space rock, or popular music's science-fiction subset. This innovative LP is also notable as one of the first rock albums to use the newly-developed Moog synthesizer.

More than 20 years after its original 1970 release, the 1996 re-issue of Twelve Dreams by Sony brought the creation back to life. Remastered and featuring previously unreleased material, Sony's move rekindled an interest in the unorthodox and innovative band.

Spirit - Twelve Dreams of Dr. Sardonicus (1970)

http://rapidshare.com/files/95829078/Spirit_-_Twelve_Dreams_Of_Dr._Sardonicus.rar.html

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Therapy? - Troublegum (1994)

2008-02-29T09:56:00.002+02:00

Northern Ireland, 1989. Andy Cairns from Ballyclare and Fyfe Ewing from Larne meet at a gig of local bands. A mutual taste in music and attitude drives them to decide to start a band.

Their influences include Big Black, Sonic Youth, Rapeman, Hüsker Dü, Butthole Surfers, The Undertones, That Petrol Emotion, Captain Beefheart, Motörhead, Mudhoney, early Metallica, Fugazi, The Stooges, Loop, Funkadelic, Can, Belgian New Beat, Trance, Techno, Hip Hop (Public Enemy) and Jazz (John Zorn).

They decide on the name Therapy?—it’s short and easy to remember.

Rehearsing in Fyfe’s bedroom after school and when Andy has time off from the factory he works in, they put together their early material with Fyfe on drums and vocals and Andy on guitar and vocals. Easter/summer they go to a small studio on Belfast’s Lisburn Road and put down their first demo, including: Bloody Blue, Skyward, Body O.D. and Beefheart/Albini, with Andy filling in on bass duties.

Needing a bass player to complete the line up they recruit Fyfe’s school buddy Michael McKeegan on bass. Michael, an energetic and enthusiastic metal fan, is influenced by the same music as the boys but also adds to the party: Voivod, Carcass, Napalm Death, Black Sabbath and various Grindcore, Black, Speed and Doom Metal.

Therapy? - Troublegum (1994)

Therapy?’s critically acclaimed fourth album features crowd motivators such as Knives, Screamager, Nowhere and Die Laughing. Produced by Chris Sheldon.

http://rapidshare.com/files/95829079/Therapy_-_Troublegum.rar.html

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Pat Martino - Cream

2008-02-26T19:47:00.003+02:00

When the anesthesia wore off, Pat Martino looked up hazily at his parents and his doctors. and tried to piece together any memory of his life.
One of the greatest guitarists in jazz. Martino had suffered a severe brain aneurysm and underwent surgery after being told that his condition could be terminal. After his operations he could remember almost nothing. He barely recognized his parents. and had no memory of his guitar or his career. He remembers feeling as if he had been "dropped cold, empty, neutral, cleansed...naked."

In the following months. Martino made a remarkable recovery. Through intensive study of his own historic recordings, and with the help of computer technology, Pat managed to reverse his memory loss and return to form on his instrument. His past recordings eventually became "an old friend, a spiritual experience which remained beautiful and honest." This recovery fits in perfectly with Pat's illustrious personal history. Since playing his first notes while still in his pre-teenage years, Martino has been recognized as one of the most exciting and virtuosic guitarists in jazz. With a distinctive, fat sound and gut-wrenching performances, he represents the best not just in jazz, but in music. He embodies thoughtful energy and soul.

Born Pat Azzara in Philadelphia in 1944, ha was first exposed to jazz through his father, Carmen "Mickey" Azzara, who sang in local clubs and briefly studied guitar with Eddie Lang. He took Pat to all the city's hot-spots to hear and meet Wes Montgomery and other musical giants. "I have always admired my father and have wanted to impress him. As a result, it forced me to get serious with my creative powers."

He began playing guitar when he was twelve years old. and left school in tenth grade to devote himself to music. During Visits to his music teacher Dennis Sandole, Pat often ran into another gifted student, John Coltrane, who would treat the youngster to hot chocolate as they talked about music.

Besides first-hand encounters with `Trane and Montgomery, whose album Grooveyard had "an enormous influence" on Martino, he also cites Johnny Smith, a Stan Getz associate, as an early inspiration. "He seemed to me, as a child. to understand everything about music," Pat recalls.

Martino became actively involved with the , early rock scene in Philadelphia, alongside stars like Bobby Rydell, Chubby Checker and Bobby Darin. His first road gig was with jazz organist Charles Earland, a high school friend. His reputation soon spread among other jazz players, and he was recruited by bandleader Lloyd Price to play hits such as Stagger Lee on-stage with musicians like Slide Hampton and Red Holloway.

Martino moved to Harlem to immerse himself in the "soul jazz" played by Earland and others. Previously, he had "heard all of the white man's jazz. I never heard that other part of the culture," he remembers. The organ trio concept had a profound influence on Martino's rhythmic and harmonic approach. and he remained in the idiom as a sideman, gigging with Jack McDuff and Don Patterson. An icon before his eighteenth birthday, Pat was signed as a leader for Prestige Records when he was twenty. His seminal albums from this period include classics like Strings!, Desperado, El Hombre and Baiyina (The Clear Evidence), one of jazz's first successful ventures into psychedelia.

In 1976, Martino began experiencing the excruciating headaches which were eventually diagnosed as symptoms of his aneurysms. After his surgery and recovery, he resumed his career when he appeared in1987 in New York, a gig that was released on a CD with an appropriate name, The Return. He then took another hiatus when both of his parents became ill, and he didn't record again until 1994, when he recorded Interchange and then The Maker.

Today, Martino lives in Philadelphia again and continues to grow as a musician. As the New York Times recently noted, "Mr. Martino, at fifty, is back and he is plotting new musical directions, adding more layers to his myth." His experiments with guitar synthesizers, begun during his rehabilitation, are taking him in the direction of orchestral arrangements and they promise groundbreaking possibilities. Musicians flock to his door for lessons, and he offers not only the benefits of his musical knowledge, but also the philosophical insights of a man who has faced and overcome enormous obstacles. "The guitar is of no great importance to me," he muses. "The people it brings to me are what matter. They are what I'm extremely grateful for, because they are alive. The guitar is just an apparatus."

Biography courtesy of DL Media

Pat Martino - Cream

http://rapidshare.com/files/95152159/Pat_Martino.rar.html

Hemloc-Hemloc (1973)

2008-02-26T13:35:00.003+02:00

Hemlock was Miller Anderson's personal group. They have recorded only one album. They played soul-rock and i think this is a very good album. Enjoy it!!!

http://rapidshare.com/files/95049457/Hemlock_-_Hemlock_1973_.rar.html

King Crimson - Larks' Ttongues In Aspic (1973)

2008-02-26T13:25:00.001+02:00

This album is the debut of King Crimson's third incarnation, and features original member and guitarist Robert Fripp and new members John Wetton (vocals, bass), David Cross (violin, mellotron), Jamie Muir (percussion, drums), and Bill Bruford (drums), as well as lyricist Richard Palmer-James. The album sees the band incorporate into its sound violin and also various exotic percussion instruments, including sheet metal and mbiras. The title was invented by percussionist Jamie Muir and is meant to signify what he heard in this album's music: something fragile and delicate (larks' tongues) encased in something corrosive and acidic (aspic).^{[citation needed]}

The album opens with a long experimental instrumental piece titled "Larks' Tongues in Aspic, Part One." After that there are three vocal pieces, "Book of Saturday", "Exiles" and "Easy Money." These are followed by two more instrumentals, "The Talking Drum" and "Larks' Tongues in Aspic, Part Two." The instrumental pieces on this album have strong jazz fusion influences, and portions have an almost heavy metal feel. The angry, angular mood of this album is largely credited to the influence of Béla Bartók.[1] The title of the album, however, acknowledges the use of themes taken from Ralph Vaughan Williams's "The Lark Ascending," played on the violin in the title track.

King Crimsons - Larks' Tongues in Aspic (1973)

http://rapidshare.com/files/95045051/King_Crimson_-_Larks__Tongues_In_Aspic.rar.html

Federico Aubele - Panamericana

2008-02-26T10:10:00.003+02:00

Federico Aubele is an Argentine singer-songwriter whose music blends a variety of genres and styles: Jamaican dub and reggae, American ambient and hip-hop, Mexican bolero, and Argentine tango. He describes his music as a synthesis of styles from throughout the Americas. Born and raised in Buenos Aires, he started playing music at 12, with his early musical influences coming from his mother, an amateur guitarist (although she was a notary by profession). He moved to Berlin in 2001 (during the Argentine economic crisis), where he lived for several years (he speaks German). After submitting a demo via email to Thievery Corporation's Eighteenth Street Lounge Music, he was signed quickly to the label, and released his debut album Gran Hotel Buenos Aires, produced by Thievery Corporation, in 2003. In 2006, he played at the Austin City Limits Music Festival. His song "Esta Noche" was featured in the 5th season of Alias (TV series) (episode 8). After Berlin, he moved to Barcelona where he began working on his new album, Panamericana (a title to indicate the many musical influences and in part named after the Pan-American Highway), which was released on September 18, 2007, also produced by Thievery Corporation. He has now returned to live in Buenos Aires.

Federico Aubele - Panamericana

http://rapidshare.com/files/95010763/Federico_Aubele_-_Panamericana.rar.html

Hawkwind - Stasis - The U.A. years 1971-1975

2008-02-26T09:54:00.004+02:00

Hawkwind are a British rock band, one of the earliest space rock groups. Their lyrics favour urban and science fiction themes. Notable science fiction writer Michael Moorcock was an occasional collaborator.

Hawkwind - Stasis - The U.A. years 1971-1975

http://rapidshare.com/files/95010762/Hawkwind_-_Stasis_-_The_U.A._Years_1971-1975.rar.html

Godspeed you black emperor - Yanqui U.X.O.

2008-02-25T21:17:00.002+02:00

Godspeed You! Black Emperor (formerly punctuated Godspeed You Black Emperor!) is an avant-garde Canadian post-rock band based in Montreal, Quebec. Formed in 1994, the ensemble has been influential in its genre, with bands from as far as Hong Kong and Singapore citing them as influences in their musical work

Working on a near orchestral scale, the nine-piece group had been known to use wide dynamic ranges; unusual use of instrumentation and sounds; elongated songs, composed almost classically, with multiple movements therein; and use of art and visuals in both their album packaging and live performances.

The band took its name from God Speed You! Black Emperor, a little known 1976 Japanese black-and-white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors. The band is most commonly classified as post-rock, but they exhibit influences from a range of styles including progressive rock, punk, classical music and avant-garde. Each record consists of a few fairly long tracks (mostly between 15 and 25 minutes, but some as long as 29 minutes and some as short as 6), divided into "movements" which are sometimes specified in the record sleeve.

The band formed around 1994 with three members,^[3] but its lineup has changed frequently. The band has had as many as twenty members at one time, but has tended to settle down to a group of nine. The instruments played vary with the lineup, but the music tends to be based around electric and bass guitars, strings and a percussion section. Other instruments such as the Glockenspiel and the French horn make more occasional appearances. The music on some of their records is accompanied by spoken samples recorded by the band across North America, including an apocalyptic street preacher from Providence, Rhode Island, an announcement at a gas station, a group of children talking and singing in French, as well as many recordings taken off shortwave radio.

Several members of the group are anarchists, and there is a strong political component to the band's music.^[5] For example, the liner notes to Yanqui U.X.O. describe the song "09-15-00" as "Ariel Sharon surrounded by 1,000 Israeli soldiers marching on al-Haram Ash-Sharif & provoking another Intifada," and the back cover of that album depicts the relationships of several major record labels to the military-industrial complex. Several of their songs also incorporate voice samples which express political sentiments, most notably "The Dead Flag Blues" (on F♯A♯∞) and "Blaise Bailey Finnegan III" (on Slow Riot for New Zerø Kanada).

The group was once misconstrued as being a band of terrorists.^[6]^[7] After stopping at a local gas station for fuel in the town of Ardmore, Oklahoma, during their 2003 tour of the United States, the station attendant working that day believed the group of Canadians to be terrorists. She quickly passed a note to another customer also getting fuel to call the police. When the local police appeared, the group was held until they could be questioned by the FBI. Although the police were suspicious of the band's anti-government documents and some stranger photos they had (such as those of oil rigs), they found no incriminating evidence. After background checks were run, the ensemble was released from custody and continued on their way to their next show in St. Louis, Missouri. Efrim Menuck later spoke to the crowd about what happened to them during their appearance in Missouri and speculated that their race was a motive in their being released quickly ("Its a good thing we're nice white kids from Canada"), hinting at racism in the police force.^[8] The incident was mentioned in Michael Moore's book, Dude, Where's My Country?.

Godspeed You Black Emperor - Yanqui U.X.O.

http://rapidshare.com/files/94752973/Godspeed_You__Black_Emperor_-_Yanqui_U.X.O.rar

Che - Sounds of Liberation

2008-02-25T21:05:00.002+02:00

It’s just me and my friends Dave and Alfredo who I’ve known for many years. I’ve known Alfredo since I was 13 and we’ve waited until now to get together and see what happens. And the results were a lot of fun and we really like the record. Alfredo called me, we were all living in the desert at the time. I was living with Dave. Alfredo had just gotten off of the road with Queens Of The Stone Age and he gave me a call and said ‘look man, I just left the band’ and I said, ‘oh wow, OK’ and we chatted about that. I’ve lived with Dave for the last year and a and Dave is just an insane bass player. I’ve loved his bass playing for years and we’ve been best friends, but ironically enough, we never played together, or at least in a long time and I said, “we’ve got this house, would you be interested in coming over to jam?’ So he came over and we just started jamming. And within about a month we were sitting on a handful of songs. - Brant Bjork

Che - Sounds of Liberation

http://rapidshare.com/files/94752970/Che_-_Sounds_of_Liberation.rar

Spiritual Beggars-Another way to shine (1996)

2008-02-25T20:59:00.004+02:00

Spiritual Beggars was formed in 1994 by Michael Amott, the band was started as a side project after Michael left the British death metal band Carcass. Spiritual Beggars debuted with the self titled Spiritual Beggars in 1994, and have since released albums as Michael's schedule permits (who is also the founder and full time member of the melodic death metal band Arch Enemy), including 1996s Another Way to Shine, 1998s Mantra III, 2000s Ad Astra, and 2002s On Fire.

A new album called Demons was released in Japan in March 2005 and in Europe on June 20. Demons was released in two versions – a CD single version and a two-CD version, which includes live material recorded in Japan during 2003.

Another way to shine is the second LP of the band. Hear it loud!!!!!

Spiriual Beggars - Another Way To Shine (1996)

http://rapidshare.com/files/94752974/Spiritual_Beggars_-_Another_Way_To_Shine.rar

Antidrasi - Enantia

2008-02-25T20:51:00.002+02:00

Greek hardcore punk group. This is the second LP

Antidrasi - Enantia

http://rapidshare.com/files/94279477/Antidrash_-_Enantia_-_1991.rar

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Nirvana - M.T.V. Unplugged in New York (1994)

2008-02-25T13:42:00.003+02:00

MTV Unplugged in New York is a live album by the American grunge band, Nirvana. It was released in November 1994. It features an acoustic concert the band played at Sony Music Studios in New York City on November 18, 1993. The show, directed by Beth McCarthy, first aired on MTV on December 14, 1993. The album won a Grammy Award for Best Alternative Music Album in 1996.

MTV Unplugged in New York was the first Nirvana album released following the death of singer/guitarist Kurt Cobain in April 1994. It was hailed by critics as proof the band was able to transcend the grunge sound they were commonly associated with.^[1]

Six of the fourteen songs are covers, showcasing the band’s diverse tastes in music, featuring covers of songs by The Vaselines, David Bowie and The Meat Puppets, and of Leadbelly's folk standard, "Where Did You Sleep Last Night." The album opened at #1 on the Billboard 200. It was also the first Nirvana album to feature touring guitarist Pat Smear. Of Nirvana's live albums, this is the most successful (selling millions of copies). MTV Unplugged In New York is the most successful post-Cobain Nirvana release, selling 5,000,000 copies in America by 1997.

Nirvana - M.T.V.unplugged in New York (1994)

http://rapidshare.com/files/95002918/Nirvana_-_MTV_Unplugged_in_New_York.rar.html

Biohazard - New World Disorder (1999)

2008-02-25T13:34:00.003+02:00

The band formed in 1987 in Brooklyn. The original lineup consisted of bassist/vocalist Evan Seinfeld, guitarist Bobby Hambel, and drummer Anthony Meo. Guitarist/vocalist Billy Graziadei joined the band soon after. Their first demo tape, released in 1988, caused a stir with journalists who felt that the band's lyrics displayed certain fascist and white supremacist views, despite the fact that Seinfeld himself was Jewish. Accusations of racism in their music were strenuously denied by the band, but in later interviews, Seinfeld and Graziadei explained that it had all been a publicity stunt to win over the band Carnivore and their fans. Eventually, the songs in question were no longer played or even mentioned, and the band began preaching message of tolerance and anti-racism. After the release of their demo, Anthony Meo left the band and drummer Danny Schuler stepped in to replace him. A second demo tape followed in 1989.

While never really considering themselves a hardcore band, Biohazard often found themselves sharing stages with bands associated with the New York hardcore scene, such as the Cro-Mags and Agnostic Front. They also shared stages with New Jersey hardcore band Mucky Pup quite often and a friendship between the two bands developed. Mucky Pup became a strong supporter of Biohazard and often booked them as an opening act, but many of the clubs would refuse to let Biohazard play, thinking the shows would lead to violence. As a result, Mucky Pup would resort to sneaking them on stage to perform a few songs before their own set.

Biohazard-New World Disorder (1999)

New world disorder is the fifth official biohard's record. It features guest appearances from Sticky Fingaz, Christian Olde Wolbers and Igor Cavalera.

http://rapidshare.com/files/94751881/Biohazard_-_New_World_Disorder.rar

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2 By Bukowski - Tech Thrash (2002)

2008-02-25T13:24:00.003+02:00

2 by bukowski is the first post rock bands in Greece. They have 3 records until now. This E.P. is the second job and i think it's another great job.
I'll try to upload and the other records as soon as it is possible.

2 by bukowski - Tech Thrash E.P. (2002)

http://rapidshare.com/files/94722694/2_by_bukowski_-_tech_thrash.rar

pw:no

Dead Kennedys - Fresh Fruit For Rotting Vegetables (1980)

2008-02-25T13:15:00.004+02:00

The Dead Kennedys are a hardcore punk band from San Francisco, California. During the 1980s, the band gained a large underground following in the international punk music scene. Their music mixed the more experimental elements of English 1970s punk with the raw energy of the 1980s American hardcore punk scene. Dead Kennedys' songs mix the deliberately shocking lyrics of punk with a humorous, acerbic, satirical, and sarcastic left-wing commentary on current social and political issues. At the same time, some of their songs also mocked the hypocritical stances of some liberal elites. Many of the band's songs criticize the right-wing ideologies of the religious right and the Ronald Reagan administration, along with many far-left personalities and ideas.

Fresh Fruit for Rotting Vegetables is the debut album by the Dead Kennedys, released initially on Cherry Red Records in the UK in 1980 and eventually through Faulty Products in the US (later by the DK's own Alternative Tentacles label). The best selling and generally the most critically acclaimed album by the Dead Kennedys, Fresh Fruit for Rotting Vegetables has become a major staple of American punk, a starting point for political punk. Lead vocalist Jello Biafra's strong leftist statements on songs such as "California Uber Alles" and "When Ya Get Drafted", launched the Dead Kennedys into the political arena.

Dead Kennedys - Fresh Fruit for Rotting Vegetables (1980)

http://rapidshare.com/files/94722692/Dead_Kennedys_-_Fresh_Fruit_for_Rotting_Vegetables.rar

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Mogwai - Ten Rapid Songs (Collected Recordings 1996-1997)

2008-02-24T20:29:00.002+02:00

Compiles songs released throughout 1996 and 1997 from various different sources.

Mogwai-Ten Rapid Songs (Collected Recordings 1996-1997)

http://rapidshare.com/files/94593248/Mogwai_-_Ten_Rapid__Collected_Recordings_1996-1997_.rar

pw:no

Mogwai - Rock Action

2008-02-24T20:04:00.002+02:00

This effort was one of Mogwai's most commercially successful albums, and is considered among their most accessible releases. Rock Action brought with it some changes to Mogwai's sound that they would continue to develop later, including the use of electronic instruments. While song structures on this CD are typical of the band in most cases and respects, some of the contrasting dynamics have been toned down slightly and many of the songs focus more on texture than on structure.

Mogwai - Rock Action (2001)

http://rapidshare.com/files/94587406/Mogwai_-_Rock_Action.rar

Giardini Di Miro - The soft touch E.P.

2008-02-24T19:56:00.002+02:00

Giardini di Mirò is a post-rock unit based in Reggio Emilia, Italy. The group formed in 1998, and its members include Jukka Reverberi, Lorenzo Lanzi, Mirko Venturelli, Luca Di Mira, and Corrado Nuccini. Notable acts the unit has toured with include Godspeed You! Black Emperor, Karate, Ulan Bator, and Unwound.

The band has released several EP recordings, in addition to a pair of full-length studio recordings. A remix album of some of their recordings was released in 2002, with performances from several notable artists including Styrofoam, ISAN, Dntel, Herrmann und Kleine, amongst others.

Giardini di Miro - Soft Touch E.P.

http://rapidshare.com/files/94584293/Giardini_di_Miro_-_The_Soft_Touch_ep.rar

pw:no

Plan 9 - 8 hits from hell

2008-02-24T19:19:00.003+02:00

This is a really rare album from a psychobilly band. I have it in cassette and the sound maybe not so good,

Enjoy it.

http://rapidshare.com/files/94574910/Plan_9.rar

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Mogwai-Come on die young

2008-02-24T19:06:00.003+02:00

Mogwai are a Scottish band from Glasgow, United Kingdom. Formed by Stuart Braithwaite and Dominic Aitchison in 1995, Mogwai has since become one of the most influential and best known names in post-rock.

Their style has been influenced by bands including The Dirty Three, Joy Division, Pink Floyd, The Jesus and Mary Chain, My Bloody Valentine, and post-rock pioneers Slint. During 2004 the band supported tours by two major influences, Pixies and The Cure. Mogwai's style has easily identifiable connections to genres like shoegaze, math rock, art rock, and occasionally instrumental metal. While their sound bears little resemblance to traditional punk rock, the band seems to identify closely with the punk ethic.

Mogwai is named after the creatures from the film Gremlins (also means "devil" in Chinese), although guitarist Stuart Braithwaite comments that "it has no significant meaning and we always intended on getting a better one, but like a lot of other things we never got 'round to it.

Download and enjoy the second album of mogwai.

Mogwai - Come on die young (1999)

http://rapidshare.com/files/94496822/Mogwai_1999_Come_On_Die_Young.rar

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